"Rip it Up and Start Again", Human League and Synthesizers
I've spent the greater part of the weekend pretty much lazing about and reading Simon Reynolds' 2006 book "Rip it Up and Start Again" (Postpunk 1978-1984). It's post-punk on overload, helping one learn about those fitful, conspiring and musically experimental bands that followed the 1976-1978 punk explosion. Bands like PiL (Rotten's Pistols' follow-up), The Fall, Gang of Four, Joy Division, Devo, Talking Heads. The Human League, Scritti Politti, James Chance and the downtown NY Mudd Club scene and so much more.
The book tackles loads of postpunk ephemera - Malcolm McLaren's post-Pistols dabbles in soft porn scriptwriting (eventually leading to his puppet handling work with Annabelle in Bow Wow Wow); the Talking Heads' David Byrne and Brian Eno's musical love-fest, moving the Heads from a choppy guitar band in 1976-1977 to a massively African-influenced supercharged unit in three short years; and the downtown NYC club scene revolving around Club 57 and the Mudd Club, where decadence and decadent dance reigned in equal amounts.
The book's Amazon entry calls it "an ambitious, cerebral effort" and its brainy thesis wanderings can be a bit brain-taxing at times. Reynolds eventually lightens the book up with more anecdotal goodness when it comes to the synth bands and their early efforts. That's the part that highly resonated with me.
As much as I'd like to remember that I went from listening to the first wave of punk rock straight into post-punk and hardcore then American indie rock circa 1984, it's not entirely true. There was a brief shining 18 months where my pal Rick and I were crazy on The Human League, Visage, Depeche Mode and other early synth pop pioneers, as well as Adam and the Ants and early Duran Duran. The 1981-1982 period was very fruitful for British pop coming over to our shores. I was also still into Flipper, hardcore, DKs, Black Flag and others too, but we wanted to hang with girls, too, ya know? :-) In any case, read the book. Here's an interview Simon Reynolds did with The Quietus around this time last year, for further illumination.
Now, onto The Human League. Here are a couple of clips below with the The Human League's Phil Oakey (old AND young Phil). In the first clip, he describes the early rudimentary synthesizer that helped create The Human League's 1978 debut single "Being Boiled". Two versions of that are below - the original FAST PRODUCT release and the version played in 1978 on Granada TV.
The Human League's "Being Boiled" (1978, FAST Product version)
The Human League playing the song "Being Boiled" on Granada TV (hosted by eventual Factory Records head Tony Wilson):






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